By Kathleen L. Spencer
This paintings locations the sequence in its higher old context, exploring why the Western used to be so renowned on the time, and examines how the early background of tv affected the exhibits. a short biography of Boone is integrated, revealing how his values and stories formed the sequence. Behind-the-scenes existence at the exhibit is in comparison with that of its preferred rivals, Gunsmoke, Wagon educate and Bonanza. significant subject matters and styles of the exhibits are in comparison, particularly the figures of the lawman, the gunfighter and the outlaw, racial and ethnic minorities, and women.
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Additional resources for Art and Politics in Have Gun—Will Travel: The 1950s Television Western as Ethical Drama
Art and Politics in Have Gun—Will Travel: The 1950s Television Western as Ethical Drama by Kathleen L. Spencer